Further Recommended Reading

1. Huston Diehl, “Reduce Thy Understanding to Thine Eye”: Seeing and Interpreting in The Atheist's Tragedy, Studies in Philology, Vol. 78, No. 1 (Winter, 1981), 47-60.

2. Michael H. Higgin’s ‘The influence of Calvinistic Thought in Tourneur’s Atheist’s Tragedy’ The Review of English Studies, Vol. 19, No. 75 (Jul., 1943), 255-262.

3. Robert Ornstein, ‘The Atheist’s Tragedy and Renaissance Naturalism’, Studies in Philology, Vol. 51, No. 2 (Apr., 1954), p. 195 (194-207).

4. Jeremy Lopez, Theatrical Convention and Audience Response in Early Modern Drama (Cambridge, 2003)

5. Danièle Berton-Charrière, ‘Anonymity, deceit and authorship in the case of Cyril-William Tourneur’, Estrades-CIEREC, Université Jean Monnet, St Etienne, France. Paper given at SINRS symposium, University of Stirling (13-14 May, 2006) <http://www.sinrs.stir.ac.uk/documents/Berton%20forgeries.pdf>

6. John Kerrigan, Revenge Tragedy: Aeschylus to Armageddon (Oxford: Clarendon Press, 1996)

7. Nigel Llewellyn, The Art of Death: Visual Culture in the English Death Ritual (London: Reaktion Books Ltd., 1991)

8. Peter Marshall,, Beliefs and the Dead in Reformation England (Oxford: Oxford University Press, 2002)

9. Mitchell B. Merback, The Thief, the Cross, and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe (London: Reaktion Books, 1999)

10. Michael Neill, Issues of Death: Mortality and Identity in English Renaissance Tragedy (Oxford: Clarendon Press, 1997)